Why Speculative Fiction Isn’t an Escape
Speculative fiction is a mirror, not a getaway. It’s often mislabeled as an “escape.” But instinctively believing in half-truths is far more of an escape. Speculative fiction doesn’t pull us away from reality. It pulls us through it. My writing style bends the rules of conventional reality, allowing us to see the world through greater imagination. It’s not about running from reality. It’s about revealing the aspects of reality we usually overlook, avoid, or struggle to articulate directly. I believe that when reality fractures—through a time slip, a shadow self, or a world tilted just off‑axis. It compels readers to confront truths they might overlook in a strictly realistic setting.”
Bending reality isn’t about escaping the world. It’s about creating the conditions to confront it with more honesty. When you tilt the rules of the universe, emotions that are hard to face directly suddenly become visible, nameable, and safe to explore. Think about it! What shapes our reality, grief, resilience, fear, and hope
Reframing the genre and articulating your artistic mission serves a very specific, powerful purpose — especially for a writer like myself, whose work lives in the liminal spaces where emotion, identity, and the uncanny collide. It’s not just a marketing move. It’s a declaration of intent. Most people come to speculative fiction with assumptions: It’s escapism. It’s entertainment. It’s about worlds, not people.
When you reframe the genre, you shift those assumptions. You help readers understand that your work isn’t about running from reality. It’s about confronting it through metaphor, distortion, and emotional truth

